Meenakshi Temple 01 Paul Prudence

Source: archatlas

6Architecture, art,

Alicia Cristina Lucas
ZoomInfo
Alicia Cristina Lucas
ZoomInfo
Alicia Cristina Lucas
ZoomInfo
Alicia Cristina Lucas
ZoomInfo
Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Interface: People, Machines, Design Sydney’s Powerhouse Museum
2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
Regency TR-1 pocket-sized radio. Designed by Teague & Petertil, made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.
“This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”
ZoomInfo
Interface: People, Machines, Design Sydney’s Powerhouse Museum
2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
Regency TR-1 pocket-sized radio. Designed by Teague & Petertil, made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.
“This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”
ZoomInfo
Interface: People, Machines, Design Sydney’s Powerhouse Museum
2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
Regency TR-1 pocket-sized radio. Designed by Teague & Petertil, made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.
“This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”
ZoomInfo
Interface: People, Machines, Design Sydney’s Powerhouse Museum
2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
Regency TR-1 pocket-sized radio. Designed by Teague & Petertil, made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.
“This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”
ZoomInfo
Interface: People, Machines, Design Sydney’s Powerhouse Museum
2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
Regency TR-1 pocket-sized radio. Designed by Teague & Petertil, made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.
“This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”
ZoomInfo
Interface: People, Machines, Design Sydney’s Powerhouse Museum
2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
Regency TR-1 pocket-sized radio. Designed by Teague & Petertil, made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.
“This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”
ZoomInfo
Interface: People, Machines, Design Sydney’s Powerhouse Museum
2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
Regency TR-1 pocket-sized radio. Designed by Teague & Petertil, made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.
“This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”
ZoomInfo

Interface: People, Machines, Design Sydney’s Powerhouse Museum

  • 2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
  • Regency TR-1 pocket-sized radio. Designed by , made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
  • The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
  • The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
  • Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
  • Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
  • IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.

This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”

Source: archatlas

6design, tech,

Luis Ruiz Padrón
ZoomInfo
Luis Ruiz Padrón
ZoomInfo
Luis Ruiz Padrón
ZoomInfo
Luis Ruiz Padrón
ZoomInfo
Luis Ruiz Padrón
ZoomInfo
Luis Ruiz Padrón
ZoomInfo
Luis Ruiz Padrón
ZoomInfo
Luis Ruiz Padrón
ZoomInfo
Luis Ruiz Padrón
ZoomInfo
Luis Ruiz Padrón
ZoomInfo
James Walsh
ZoomInfo
James Walsh
ZoomInfo
Meenakshi Temple 01 Paul Prudence

6art, architecture,

Alicia Cristina Lucas
ZoomInfo
Alicia Cristina Lucas
ZoomInfo
Alicia Cristina Lucas
ZoomInfo
Alicia Cristina Lucas
ZoomInfo
Vertical Landscape Ryo Yamada
ZoomInfo
Vertical Landscape Ryo Yamada
ZoomInfo
Vertical Landscape Ryo Yamada
ZoomInfo

Vertical Landscape Ryo Yamada

Source: archatlas

6art, design, architecture,

Wallaby Lane House Robinson Architects
ZoomInfo
Wallaby Lane House Robinson Architects
ZoomInfo
Wallaby Lane House Robinson Architects
ZoomInfo

Wallaby Lane House Robinson Architects

Source: archatlas

6design, Architecture,

Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Hill House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Interface: People, Machines, Design Sydney’s Powerhouse Museum
2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
Regency TR-1 pocket-sized radio. Designed by Teague & Petertil, made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.
“This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”
ZoomInfo
Interface: People, Machines, Design Sydney’s Powerhouse Museum
2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
Regency TR-1 pocket-sized radio. Designed by Teague & Petertil, made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.
“This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”
ZoomInfo
Interface: People, Machines, Design Sydney’s Powerhouse Museum
2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
Regency TR-1 pocket-sized radio. Designed by Teague & Petertil, made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.
“This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”
ZoomInfo
Interface: People, Machines, Design Sydney’s Powerhouse Museum
2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
Regency TR-1 pocket-sized radio. Designed by Teague & Petertil, made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.
“This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”
ZoomInfo
Interface: People, Machines, Design Sydney’s Powerhouse Museum
2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
Regency TR-1 pocket-sized radio. Designed by Teague & Petertil, made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.
“This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”
ZoomInfo
Interface: People, Machines, Design Sydney’s Powerhouse Museum
2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
Regency TR-1 pocket-sized radio. Designed by Teague & Petertil, made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.
“This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”
ZoomInfo
Interface: People, Machines, Design Sydney’s Powerhouse Museum
2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
Regency TR-1 pocket-sized radio. Designed by Teague & Petertil, made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.
“This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”
ZoomInfo

Interface: People, Machines, Design Sydney’s Powerhouse Museum

  • 2+7 Telephone. Designed by Marcello Nizzoli, made by SAFNAT, Italy, 1958.
  • Regency TR-1 pocket-sized radio. Designed by , made by Texas Instruments and Industrial Development Engineering Associates (IDEA), USA, 1954.
  • The Blickensderfer 6 portable typewriter. Designed by George Canfield Blickendsderfer, USA, 1906.
  • The Olivetti Valentine typewriter, designed by Ettore Sottsass and Perry King, made by Olivetti, Italy, 1969.
  • Divisumma 18 portable calculator, designed by Mario Bellini, made by Olivetti, Italy, 1973.
  • Macintosh Icons. Designed by Susan Kare, made by Apple Computer Inc, USA, 1984.
  • IPOD Digital Media Player. Designed by Jonathan Ive, made by Apple Computer Inc, USA, 2001.

This exhibition examines how design has been applied to information technology products; and about how a handful of companies made complicated technology appealing and easy to use. It is also about the visionaries who started some of the great consumer product companies of the 20th century and how the designers and engineers they hired found a means of imparting their ideals into the products they designed.”

6design, tech,

Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Geometrie #1 Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
ZoomInfo
Geometrie #1 Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
ZoomInfo
Geometrie #1 Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
ZoomInfo
Geometrie #1 Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
ZoomInfo
Geometrie #1 Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
ZoomInfo
Geometrie #1 Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
ZoomInfo
Geometrie #1 Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
ZoomInfo
Geometrie #1 Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
ZoomInfo
Geometrie #1 Paolo Pettigiani
“A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”
ZoomInfo

Geometrie #1 Paolo Pettigiani

A context which the shapes become a pretext for exploration of space, freeing itself from its real picture, to make it more emotionally relevant. The minimal geometry, shadows and colors intersect between reality and absence, visually decontextualized from initial aesthetics. In this way, the following photographs describe a “non-place”, dematerialized by its own matter.”

6art, architecture,

Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
Sunset Rock House MacKay-Lyons Sweetapple Architects 
ZoomInfo
1 of 283
-
Load more posts...